Tagfilm

Imaginative projects and fictional images

In a recent post, I presented an imaginary scenario and used it to illustrate the difference between “image” and “frame”. I also claimed that an image such as the one I presented might appear not only in an episode of deliberate imagination, but also in dreams or works of fiction — such as a novel or movie. Let’s follow up on this claim a little. 1. The way I introduced my example of an image was...

Having and being had, and the inhuman reaches of the soul

When he writes about dreams, Hillman virtually never refrains from reminding us of the curious fact that we talk about them as if we were having them, but that we experience them as if they were having us. In sleep, I am thoroughly immersed in the dream. Only on waking do I reverse this fact and believe the dream is in me. At night the dream has me, but in the morning I say, I had a dream. (DU...

A theory of ghosts: initiated by someone’s action 

In the theory I am exploring, the term ‘ghost’ does not denote a quasi-personal, supernatural entity; certainly, by this theory, a ghost is also not something that can be observed, immediately or mediatedly, by the senses (seen, heard, …, photographed). It is, however, something that can be created (better: initiated) by people, influenced (and even to some degree controlled) by them, and also...

A theory of ghosts: the intimation of an inevitability

In my previous post I did not distinguish sufficiently between two lines of thought I introduced. One, the main topic of that post, was the element of recurrent death; the other (which I should have kept separate) that of inevitability. In my guiding example, the haunting experience in Vertigo, the intimation of an inevitability plays a significant role. In the first half of the film, we get a...

A theory of ghosts: corroborations from the filmmakers

The notion that ghosts cannot be identified with persons, and consequently, that the haunting effect of Vertigo is not tied to any character and their concrete attributes or actions in the plot of the film, is not particularly original. In fact, the makers of the movie themselves were conscious that Vertigo is in essence about a psychological pattern. Samuel Taylor, the writer who produced the...

A theory of ghosts: hauntings

When I was in my late teens, I became hauted by a ghost. The experience was sudden and hit me unexpectedly. After a while, it faded away. But then it popped up again irregularly over the course of several years: whenever that happened, it was suddenly entirely present in bright, nuanced images and invariably gave me shudders of a peculiar and very intense quality. To this day, I’m not entirely...

Death: walking out of the mirror

As every lover of Eurospy knows very well: death is a woman. If you fall in love with her and have the good luck to find it requited, she may sacrifice herself in a kind of Liebestod, Which makes you — immortal! (Logically…)

Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.

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