Tagspirit

Projection, spirit, and self-knowledge

The problem with projections is two-fold: partly, they falsify the object; and partly, they contain pieces of the subject’s own personality which should be recognized as such and integrated. Or, to put it differently: projections complicate both knowledge of the outer world and the inner world — knowledge of the soul, or self-knowledge.

The spiritual mirror, eros, and Narcissus

When I wrote about projection and the mirror of Narcissus last week, I realized there is a hidden connection between some of the topics I recently discussed: the neo-Platonic mirror theory of eros, and Jung's notion of spirit.

Spirit as a generator and transformer of images

In the spirit essay, Jung claims that spirit existed as a separate being prior and independent of human consciousness, and was integrated, over the course of evolution, into the latter. As separate form of being, according to Jung it had three major characteristics: […] first a spontaneous principle of movement and activity, secondly the property of free image creation independent of sense...

Dreams of the soul, visions of the spirit

In one of the most fascinating passages of "The Dream and the Underworld", Hillman considers dream characters: “In dreams we are visited by the daimones, nymphs, heroes, and Gods, shaped like our friends of last evening.” But the next question is obvious: “why don’t the shades and Gods come in their own shapes?" And once again Hillman’s answer has to do with the difference between soul and spirit.

The spirit of Jung, and the spirit of Hillman

In recent posts, I have discussed Hillman’s distinction between soul-work and spirit-work (doing psychology vs. spiritual development). Hillman claims Jung’s ancestry here, but there are also grave differences in how they understood these notions.

The Mana Personality vs. the Self

I have criticized Hillman for saying that Jung’s archetypes of the Self and the Wise Old Man are the same — mostly for the reason that Jung in many passages clearly speaks as if these are not just not the same, but even widely separated notions. There is, however, one very central passage in Jung’s work where he explicitly discusses the difference between the Wise Old Man and the Self archetypes.

Spiritual practice and its distractors

To add some more detail to the distinction we’re exploring, between spirit-work and soul-work, according to Hillman’s “Peaks and Vales” essay, let’s look at a common experience: distractions we suffer when we attempt some typical spirit work. These may fall under either of Hillman’s first two criteria (pathologizing of the soul and anima confusions), or perhaps even remain in a grey area in...

The Old Man and the Self

In several places, Hillman practically identifies two well-known Jungian archetypal figures: “the Self, which is another name for the archetype of meaning,  or the Old Wise Man”. This is an astonishingly implausible claim.

Is the way of the soul riskier than the way of the spirit?

We have now looked into two of the three marks that distinguish soul-work (psychology) from spirit-work: pathologizing and anima confusions are regarded as inherent activities of the soul, and therefore in soul-work we must attend to them and engage them on their own terms, rather than trying to get rid of them.

Loving anima confusions

I have started to discuss Hillman’s three criteria for telling soul-work and spirit-work apart. The first was that soul-work would take the soul’s pathologizing seriously. Now the second: love for anima; Hillman says that he would not recognize someone as doing soul-work if they “dismiss anima confusions for ego strength or spiritual illumination”. There’s a good bit to unpack here.

Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.

absurdity alchemy allegorical style archetypes causality climates dark side death eros erotetic arch fairytale style film frame analysis ghost story style impressionist style intertextuality Jung philology liminality literature magic methodology mirrors mystery mysticism myth adaptation style narrative analysis pathologizing persona personal note personification prefiguration projection psychoid research program romantic love self-knowledge shadow soul spirit subjectivity symbolistic style symbols synchronicities technology time