We might read the whole of Abenteuer as a gradual realization, on the part of the protagonist, of the consequences of running away from the party, i.e. losing the social connections that provide a route of self-knowledge (by way of others “holding up a mirror”).
The workings of our social environment are so close before our eyes that we often don’t even notice them; but many of them profoundly shape what we perceive as “reality”. It has proved fruitful to understand this along the lines of an analogy: social interactions share many characteristics with theatrical performances. Thus social interactions are enacted, as if on a stage, and “reality” is of...
What we see, when looking into the symbolic mirror, are those parts of ourselves which we would normally avoid to look at, and which we carefully also hide from others. These are part of the personal unconscious and make up, in Jungian terminology, our “shadow”. The false face that we show ourselves and the outside worlds (as long as we ignore the shadow), is called the “persona” (in the ancient...
Mirrors, when they appear in a story, can symbolize something very interesting: namely, a special way of knowing something about a person. What makes it special is that others can know this about us, whereas we ourselves may not know it. Let’s see if we can explicate the idea in a non-symbolic manner: can we give an account of this special type of self-knowledge without recourse to a story (where...
Part of the job, when researching an interesting phenomenon, is to build up a phenomenological pool: collect typical examples, interesting special cases, and fringe phenomena that may or may not be relevant in conjunction with our focus of interest. With synchronicities, there is an additional category in that pool to which we might pay some attention.
It is a bitter truth that a single sentence, spoken rashly and without really meaning it, can destroy the whole of your life as you have envisaged to live it.
There is a school of thought that interprets magical devices in fairy tales, not as depicting magic, but as a kind of futuristic technology. One might think the same about magical mirrors. But although the analogy is certainly suggestive, I think it leads us in the wrong direction.
In the literature on synchronicities, that phenomenon is usually defined as a coincidence of two or more events which invokes a “sense of meaningfulness”, and where the events in question — crucially for the point I want to focus on — are not causally linked. In one respect, that last clause is a sensible requirement. For if there were a causal link between those events, that would suffice as...
This post has a more personal character than most of the others. I hope it will clarify how I approach Jung’s work on synchronicities, which is at the center of this blog: my strategy in reading and interpreting it, as well as my attitude towards it, an attitude that is deeply admiring, but critical at the same time (as is probably evident from my postings already). 1. I admire, to begin with...
There is a certain kind of personal gain which you can only attain by deliberately becoming invisible to others — by ensuring that they can no longer see you for what you really are. If this sounds like a small price to pay, wait to see what develops out of it: for there are hidden costs to the bargain. It is, after all, a pact with dark forces, and in the end, it may leave you in despair.
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.