I did a poor job, in two of my earlier posts (here and here), of explaining what I meant by the formulation “unreal time” in their titles. I meant it, of course, as an explication of something Durrell has his narrator say. But I should have made the connection clearer. 1. When Durrell’s narrator refers to time as something that characterizes the life of people in the city, he calls it calendar...
I ended an earlier post deriving a (very rough) sketch of an ontological layout that would be consistent with Jungian thought. It would be consistent in the sense that it takes seriously both its methodological fundamental — starting with subjective experience — and its central idea — that our subjective experience is not fully transparent to our conscious personalities. Taking them seriously...
I have started exploring the notion of an objective and independent reality (beginning with the connected idea of individuation, as it is used in philosophy); but it will perhaps be helpful to pause and consider why this is relevant to a discussion of Jungian metaphysics. The point of departure is twofold: one is the question of the interiority of psychology and its relation to the “external”...
The term “individuation” has a rather particular meaning in Jung, when he talks about the “individuation process”. Elsewhere, primarily in philosophy, it is used somewhat differently. Let’s explore the differences. 1. To begin with, in philosophical discussions the question is framed more broadly: it’s not just persons who are individuated, but really anything at all. Imagine two fresh and...
In my last post, I left it at the observation that archaic images (urtümliche Bilder) as Jung defines them already have a certain assumption of “timelessness” built into them — since they are specified as those which have “mythological qualities” and can be be found across times and cultures. From a methodological point of view, there are plenty of difficulties with that definition. First, it’s...
In the definitions he presents in Psychological Types, Jung distinguishes between ideas and images, or more specifically: archaic (urtümliche) images. The latter is prior in the order of explanation; the former is understood as “the meaning of an archaic image which was deducted, abstracted from the concretism of that image [der Sinn eines urtümlichen Bildes welcher von dem Konkretismus des...
That time is unreal — that it transforms into a form of “ghost time” — once you’re in liminal retreat is strangely in conflict with the notion that a journey to the underworld might necessitate a return trip. Whether it actually does necessitate one depends of course on how the journey is conceived of (as we have seen, in Hillman’s early work it doesn’t; in Campbell the collective demands it and...
If withdrawal into liminal space (symbolized by the stay on a Greek island in The Alexandria Quartet) is a journey to the underworld or — to put it less mystically — an immersion in what comes out of the unconscious, then we might expect curious effects connected to the passing of time. This is what the narrator refers to when he says “once you become aware of the operation of a time which is not...
At first glance, what Don DeLillo’s narrator in The Names describes appears to be exactly what I’ve just called “ghost-time”, borrowing a notion from The Alexandria Quartet: I flew a lot, of course. We all did. We were a subculture, business people in transit, growing old in planes and airports. […] This is time totally lost to us. We don’t remember it. We take no sense impressions with us, no...
Once you retreat from the world into liminal space, you shed the illusion that time is real. That time and, in consequence, our experience in time are real is an illusion; but it is an illusion of the kind which, once it is put aside even for a moment, can never fully come back.
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.