Every question for which we have found an answer does also reveal, at the same time, some uncertain aspects — aspects that aren’t just unanswered yet, but somehow seem all the more difficult to figure out now since we know what we’ve learned. Questions, in a word, lead to answers which in turn always seem to lead to more questions. When we look at this fact of life from the perspective of...
In my last post I have outlined an interpretation of Hillman’s central idea of soul-making, and connected it with the notion of projection (in analytical psychology), the relationship between individual souls and the collective psyche, and the theoretical move of treating both individual human beings and ideas as souls which can be perceived as personalized. In the background of this line of...
A little into The Dream and the Underworld, when he discusses the relationship between the day world and the night world, Hillman makes yet another suggestion that is an instance of the technique of “perspective reversal”. This time it is about the shadow (in its Jungian understanding of the term). Since the movements of the body and its shadow are simultaneous and inseparable, that is, co...
What exactly was it that did the haunting in "Vertigo"? Who was the ghost?
Jung frequently insists in his writings that the inner world has reality, and that as a person, we have to adapt to those inner realities just as we have to those of the external world. But adaptation as such is only one step on the path to individual self-development.
Jung presents the process of engaging with the unconscious, aka the “individuation process”, often as a series of stages; where at each stage the focus is on a specific archetype. But if that route is somehow the typical one (or maybe even the only one), are there any particular reasons for this?
In everyday parlance, when we refer to a person’s “shadow”, we often simply mean some grim, dark streak of their personality, perhaps even a violent or evil element. But what Jung meant by the “shadow” is a little more complex than this habit of our everyday talk suggests.
There is a particular kind of life situation, in which a person may find themselves, and which fits the pattern I have discussed in my earlier post: it is one of those situations where archetypes are triggered. Let's call it the "dead backwater" type of life situations.
People are complex: every human being has a dark side — a demonic aspect — in addition to the more acceptable mask they display towards their social surroundings.
Returning from his year-long stay on a Greek island, the protagonist of The Magus makes an intermediate stop in Rome. But he compares his impressions unfavorably with those he had in that other Mediterranean world: The sun shone as certainly, the people were far more elegant, the architecture and the art much richer, but it was as if the Italians, like their Roman ancestors, wore a great mask of...
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology.