In my previous post I did not distinguish sufficiently between two lines of thought I introduced. One, the main topic of that post, was the element of recurrent death; the other (which I should have kept separate) that of inevitability. In my guiding example, the haunting experience in Vertigo, the intimation of an inevitability plays a significant role. In the first half of the film, we get a...
What exactly was it that did the haunting in "Vertigo"? Who was the ghost?
As every lover of Eurospy knows very well: death is a woman. If you fall in love with her and have the good luck to find it requited, she may sacrifice herself in a kind of Liebestod, Which makes you — immortal! (Logically…)
There is a rather special use of mirror imagery in Justine, when Durrell’s narrator reflects on his last conversation with the writer Pursewarden (which had taken place immediately before the latter committed suicide). The fact that this was our last meeting has invested it, in retrospect, with a significance which surely it cannot have possessed. Nor, for the purposes of this writing, has he...
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.