A theory of ghosts: the intimation of an inevitability

In my previous post I did not distinguish sufficiently between two lines of thought I introduced. One, the main topic of that post, was the element of recurrent death; the other (which I should have kept separate) that of inevitability. In my guiding example, the haunting experience in Vertigo, the intimation of an inevitability plays a significant role. In the first half of the film, we get a...

Death: walking out of the mirror

As every lover of Eurospy knows very well: death is a woman. If you fall in love with her and have the good luck to find it requited, she may sacrifice herself in a kind of Liebestod, Which makes you — immortal! (Logically…)

Death: walking into the mirror

There is a rather special use of mirror imagery in Justine, when Durrell’s narrator reflects on his last conversation with the writer Pursewarden (which had taken place immediately before the latter committed suicide). The fact that this was our last meeting has invested it, in retrospect, with a significance which surely it cannot have possessed. Nor, for the purposes of this writing, has he...

Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.

alchemy allegorical style archetypes causality dark side death dreams eros erotetic arch film frame analysis ghost-story style ghosts horror-story style intertextuality Jung philology liminality literature magic methodology mirrors mystery mysticism myth adaptation style narrative analysis pathologizing persona personal note personification prefiguration projection psychoid romantic love self-knowledge shadow soul spirit subjectivity surrealism symbolistic style symbols synchronicities technology three-episodes style time