I continue looking into the implied theory of ghosts in Reginald Hill’s short story “There are No Ghosts in the Soviet Union”. We’ve discussed the first of the Chislenko premises, and then digressed into a number of complications. It’s time to move on to the second premise. In earlier posts, I have already speculated that a theory of ghosts would include a necessary element of death, a form of...
I continue looking into the implied theory of ghosts in Reginald Hill’s short story “There are No Ghosts in the Soviet Union”. Now that we’ve dealt with the pseudoscientific psychobabble, and outlined Chislenko’s reasoning, let’s look more deeply into the actual theory it implies. 4. In order to discuss the first premise we have to catch up on a bit of ontological background. For that, I’ll use...
[Note: This post has been superseded by an updated and more integrated article.] I’m looking at a variety of possible answers to the guiding question (whether a descent to the underworld requires a compensating return trip — and if so, why) in the Jungian tradition. There is a particular difficulty with this question, however, and we might as well face it head-on. The difficulty is that...
Hillman is one of the most original and interesting writers in the tradition following Jung, and I have spent quite a few pages on this blog discussing his work already. Naturally, this means I have to combine several of his ideas and theories, which are distributed over multiple books, in order to gain a consolidated understanding. But there is a danger in this, too: Hillman’s work, as...
[Note: This post has been superseded by an updated and more integrated article.] Is there a purely psychic form of existence? According to Hillman, there is at least a metaphorical image of such a form of existence: the underworld (Hades). We can read mythical narratives to refer to a form of being rather than a literal place: thus Hades is not a location somewhere (“under” the world), and it is...
In my previous post I did not distinguish sufficiently between two lines of thought I introduced. One, the main topic of that post, was the element of recurrent death; the other (which I should have kept separate) that of inevitability. In my guiding example, the haunting experience in Vertigo, the intimation of an inevitability plays a significant role. In the first half of the film, we get a...
What exactly was it that did the haunting in "Vertigo"? Who was the ghost?
As every lover of Eurospy knows very well: death is a woman. If you fall in love with her and have the good luck to find it requited, she may sacrifice herself in a kind of Liebestod, Which makes you — immortal! (Logically…)
[Note: This post has been superseded by an updated and more integrated article.] There is a rather special use of mirror imagery in Justine, when Durrell’s narrator reflects on his last conversation with the writer Pursewarden (which had taken place immediately before the latter committed suicide). The fact that this was our last meeting has invested it, in retrospect, with a significance which...
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology.