It is well known that Jung felt some special affinity with the mediaeval world in general, and with alchemy in particular. He saw connections there with the core of the psychology of the individuum.
The architecture of Durrell’s "Alexandria" tetralogy is constructed in analogy to the idea of four-dimensional spacetime in the theory of relativity. Durrell calls this “the relativity proposition”. How does this work in terms of plot layout?
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.