When I wrote about projection and the mirror of Narcissus last week, I realized there is a hidden connection between some of the topics I recently discussed: the neo-Platonic mirror theory of eros, and Jung's notion of spirit.
If the mirror in the Narcissus myth stands for a "projection" which is dangerous, and should be avoided on pain of suffering Narcissus’ fate, then what exactly is it about "projection" which makes it so risky?
1. Suppose a subject becomes enamoured with another person. In that situation, we can assume in the subject’s mind a cluster of ideas, perceptions, presumptions, etc., all of which have the other person (the “love object”) as their content in some way. For example, there may be memories (“When we first met, she looked like this …”), general ascriptions of personality (“He’s a very attentive...
‘Mirror’ is one of Durrell’s words; mirrors are one of his images: they appear throughout the Alexandria tetralogy, in various functions. 1. When the narrator’s relationship with Melissa starts, her previous lover is jealous (to the point of following him around with a pistol in his coat). The two men fall into a pattern of staring and ignoring each other when they meet. But then something...
Part of the job, when researching an interesting phenomenon, is to build up a phenomenological pool: collect typical examples, interesting special cases, and fringe phenomena that may or may not be relevant in conjunction with our focus of interest. With synchronicities, there is an additional category in that pool to which we might pay some attention.
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.