Hillman is one of the most original and interesting writers in the tradition following Jung, and I have spent quite a few pages on this blog discussing his work already. Naturally, this means I have to combine several of his ideas and theories, which are distributed over multiple books, in order to gain a consolidated understanding. But there is a danger in this, too: Hillman’s work, as...
The technique of perspective reversal, frequently as it is used throughout Hillman’s early work, is more than a neat rhetorical trick. (Although it must be said that Hillman does have a pronounced preference for the chiasm in any case.) I have already noted that both Jung and Hillman seemed to think that human hybris needs to be checked, particularly in the form in which the human person is...
My current excursion into ego theory started from an instance of perspective reversal in which Hillman suggested that “the shadow casts me”, that is, we might understand the ego as a projection from the shadow (in its original Jungian understanding). But we would be mistaken if we construed this narrowly, as the view that the ego is a projection only from the shadow. In Hillman’s thinking (as in...
I have started to look at Hillman’s suggestion that the ego, rather than casting a shadow, is itself cast by the latter; and I have noted that this suggestion comes within a larger endeavor on his part to re-interpret the whole notion of the ego. Let’s dive a little deeper into Hillman’s account of the ego, then. 1. The ego is one of multiple complexes that exist within an individual human being...
A little while ago, I dug into a question Hillman poses about dream characters: “why don’t the shades and Gods come in their own shapes; why do they bother with the dream incarnations, my family and friends and odd strangers?” (DU 99); and I don’t think I got really clear about what the answer to that question is supposed to be (according to Hillman). Hillman thinks that, if the “shades and...
I have started to sketch one of Hillman’s most original lines of thought: that archetypal psychology, as he views it, is akin to ancient eudaimonistic philosophy — an approach to how we should live our lives —, and that the role of the telos — that which we aim at in living our lives this way — is played by the production of soul. Generating more soul is what we are here for: it’s what gives...
Jung frequently insists in his writings that the inner world has reality, and that as a person, we have to adapt to those inner realities just as we have to those of the external world. But adaptation as such is only one step on the path to individual self-development.
What is the purpose of our lives? What are we here for? Following Hillman, here’s one way of looking at it: We are here to generate psyche. Our task is thus a creative one: we are meant to produce more soul; and we perform this creative job by getting into the activity of loving anima. This makes the generation of soul into something like the telos of ancient eudaimonistic philosophy: an idea...
When I wrote about projection and the mirror of Narcissus last week, I realized there is a hidden connection between some of the topics I recently discussed: the neo-Platonic mirror theory of eros, and Jung's notion of spirit.
In one of the most fascinating passages of "The Dream and the Underworld", Hillman considers dream characters: “In dreams we are visited by the daimones, nymphs, heroes, and Gods, shaped like our friends of last evening.” But the next question is obvious: “why don’t the shades and Gods come in their own shapes?" And once again Hillman’s answer has to do with the difference between soul and spirit.
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology.