Mirrors: psychoanalysis & two routes of self-knowledge

Mirrors, when they appear in a story, can symbolize something very interesting: namely, a special way of knowing something about a person. What makes it special is that others can know this about us, whereas we ourselves may not know it. Let’s see if we can explicate the idea in a non-symbolic manner: can we give an account of this special type of self-knowledge without recourse to a story (where...

Mirrors: smoky ones

Mirrors — those of the symbolic flavor, i.e. mirrors of the soul — don’t necessarily have to be visual. In one of Neil Gaiman’s short stories, a narrative work of art (i.e. a story-in-a-story) does the same trick that Oscar Wilde’s painting of Dorian Gray performs. Thus Gaiman removes the symbolic mirror one step further from literal mirrors.

Mirrors: Wilde pictures

Imagine you sit model for a painting. When it is finished, you look at it with surprise and admiration: the painter is a true artist, and this is his masterpiece. It brings out something about you, your true personality; it shows things of which you were only dimly aware yourself. To use an old expression: it reflects your soul.

Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.

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