In everyday parlance, when we refer to a person’s “shadow”, we often simply mean some grim, dark streak of their personality, perhaps even a violent or evil element. But what Jung meant by the “shadow” is a little more complex than this habit of our everyday talk suggests.
The dead backwaters of life
Mirrors: reflecting the Other Side
The hypocritical mirror-critic
Returning from his year-long stay on a Greek island, the protagonist of The Magus makes an intermediate stop in Rome. But he compares his impressions unfavorably with those he had in that other Mediterranean world: The sun shone as certainly, the people were far more elegant, the architecture and the art much richer, but it was as if the Italians, like their Roman ancestors, wore a great mask of...
The mirror and the mask
What we see, when looking into the symbolic mirror, are those parts of ourselves which we would normally avoid to look at, and which we carefully also hide from others. These are part of the personal unconscious and make up, in Jungian terminology, our “shadow”. The false face that we show ourselves and the outside worlds (as long as we ignore the shadow), is called the “persona” (in the ancient...
Mirrors: smoky ones
Mirrors — those of the symbolic flavor, i.e. mirrors of the soul — don’t necessarily have to be visual. In one of Neil Gaiman’s short stories, a narrative work of art (i.e. a story-in-a-story) does the same trick that Oscar Wilde’s painting of Dorian Gray performs. Thus Gaiman removes the symbolic mirror one step further from literal mirrors.