The architecture of Durrell’s "Alexandria" tetralogy is constructed in analogy to the idea of four-dimensional spacetime in the theory of relativity. Durrell calls this “the relativity proposition”. How does this work in terms of plot layout?
Death: walking into the mirror
There is a rather special use of mirror imagery in Justine, when Durrell’s narrator reflects on his last conversation with the writer Pursewarden (which had taken place immediately before the latter committed suicide). The fact that this was our last meeting has invested it, in retrospect, with a significance which surely it cannot have possessed. Nor, for the purposes of this writing, has he...
Meeting in the mirror
We have already seen two roles that mirrors play in Durrell’s Alexandria Quartet: they indicate a certain self-awareness (a ‘reflectiveness’, we might say with a somewhat tired pun) in a character, and they expose a distance, even separation between their inner worlds when they interact. In other words, Durrell has his characters perceive things in mirrors (or ‘as’ in mirrors) when he wants to...
Things that happen in the mirror
‘Mirror’ is one of Durrell’s words; mirrors are one of his images: they appear throughout the Alexandria tetralogy, in various functions. 1. When the narrator’s relationship with Melissa starts, her previous lover is jealous (to the point of following him around with a pistol in his coat). The two men fall into a pattern of staring and ignoring each other when they meet. But then something...
Mirrors: metaphors of self-awareness
Mirrors, self-knowledge, and running away from the party
The joys of Eigenbrötlertum
The workings of our social environment are so close before our eyes that we often don’t even notice them; but many of them profoundly shape what we perceive as “reality”. It has proved fruitful to understand this along the lines of an analogy: social interactions share many characteristics with theatrical performances. Thus social interactions are enacted, as if on a stage, and “reality” is of...
The mirror and the mask
What we see, when looking into the symbolic mirror, are those parts of ourselves which we would normally avoid to look at, and which we carefully also hide from others. These are part of the personal unconscious and make up, in Jungian terminology, our “shadow”. The false face that we show ourselves and the outside worlds (as long as we ignore the shadow), is called the “persona” (in the ancient...
Mirrors: psychoanalysis & two routes of self-knowledge
Mirrors, when they appear in a story, can symbolize something very interesting: namely, a special way of knowing something about a person. What makes it special is that others can know this about us, whereas we ourselves may not know it. Let’s see if we can explicate the idea in a non-symbolic manner: can we give an account of this special type of self-knowledge without recourse to a story (where...
Mirrors: lost images
There is a certain kind of personal gain which you can only attain by deliberately becoming invisible to others — by ensuring that they can no longer see you for what you really are. If this sounds like a small price to pay, wait to see what develops out of it: for there are hidden costs to the bargain. It is, after all, a pact with dark forces, and in the end, it may leave you in despair.