I interpret literature, or reflect on philosophical ideas, in an exploratory manner. The focus here is on developing insights, and some of it is speculative. Occasionally, I consolidate it into longer essays.
Hillman is one of the most original and interesting writers in the tradition following Jung, and I have spent quite a few pages on this blog discussing his work already. Naturally, this means I have to combine several of his ideas and theories, which are distributed over multiple books, in order to gain a consolidated understanding. But there is a danger in this, too: Hillman’s work, as...
The technique of perspective reversal, frequently as it is used throughout Hillman’s early work, is more than a neat rhetorical trick. (Although it must be said that Hillman does have a pronounced preference for the chiasm in any case.) I have already noted that both Jung and Hillman seemed to think that human hybris needs to be checked, particularly in the form in which the human person is...
My current excursion into ego theory started from an instance of perspective reversal in which Hillman suggested that “the shadow casts me”, that is, we might understand the ego as a projection from the shadow (in its original Jungian understanding). But we would be mistaken if we construed this narrowly, as the view that the ego is a projection only from the shadow. In Hillman’s thinking (as in...
I have started to look at Hillman’s suggestion that the ego, rather than casting a shadow, is itself cast by the latter; and I have noted that this suggestion comes within a larger endeavor on his part to re-interpret the whole notion of the ego. Let’s dive a little deeper into Hillman’s account of the ego, then. 1. The ego is one of multiple complexes that exist within an individual human being...
A little into The Dream and the Underworld, when he discusses the relationship between the day world and the night world, Hillman makes yet another suggestion that is an instance of the technique of “perspective reversal”. This time it is about the shadow (in its Jungian understanding of the term). Since the movements of the body and its shadow are simultaneous and inseparable, that is, co...
[Note: This post has been superseded by an updated and more integrated article.] Is there a purely psychic form of existence? According to Hillman, there is at least a metaphorical image of such a form of existence: the underworld (Hades). We can read mythical narratives to refer to a form of being rather than a literal place: thus Hades is not a location somewhere (“under” the world), and it is...
Loose talk in the mold of “I had a dream” leads us quickly into thinking that the “I” is the author or owner of the events and imagery in the dream — that we “dreamed it all up” in some sense. But there is a world of a difference between, say, a writer making up a conversation between two people and describing it in a novel, and a person having a dream about two people having that same...
In my reflections on the language of “having” dreams (fantasies, creative spirit, etc.) I briefly gestured to a certain blind spot in Hillman’s account of how the ego should be “subjected” to the dream (or fantasy etc.) images. There are two interrelated points I made, though in a rather too quick and compressed fashion. So let’s unpack them a little more. We can see where the blind spot is when...
If we want to take perspective reversal seriously, we have to revise some of the language we use. Rather than saying, for instance, I “had” a dream (or fantasy) we should say “I was in a dream”; similarly, when we describe our experience, we should say “in my dream I saw …”. In other words, we would speak about our dream experience as if it happened to us when we (metaphorically) went there...
In a recent post, I presented an imaginary scenario and used it to illustrate the difference between “image” and “frame”. I also claimed that an image such as the one I presented might appear not only in an episode of deliberate imagination, but also in dreams or works of fiction — such as a novel or movie. Let’s follow up on this claim a little. 1. The way I introduced my example of an image was...
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology.