In our lived experience we navigate both an external world of objects and a subjective stream of psychological states. This is how the surface of reality presents itself to us. But both the external world of objects and the subjective stream of psychological states have a certain depth to them: they exhibit recurring patterns.
Salvador Dalí famously rejected symbolic interpretations of the dream-like imagery in his paintings. Surely there is a good measure of funny insolence (and self-mystification) about this attitude, but it also has a serious and important point behind it.
The problem with projections is two-fold: partly, they falsify the object; and partly, they contain pieces of the subject’s own personality which should be recognized as such and integrated. Or, to put it differently: projections complicate both knowledge of the outer world and the inner world — knowledge of the soul, or self-knowledge.
When I wrote about projection and the mirror of Narcissus last week, I realized there is a hidden connection between some of the topics I recently discussed: the neo-Platonic mirror theory of eros, and Jung's notion of spirit.
If the mirror in the Narcissus myth stands for a "projection" which is dangerous, and should be avoided on pain of suffering Narcissus’ fate, then what exactly is it about "projection" which makes it so risky?
Today’s notion of “narcissism” as self-love, i.e. a conscious exclusion of any other as love object would fit, strictly speaking, the ancient Narcissus not after, but before gazing into the mirror.
In case in which coincidences are explainable by someone’s (hidden agenda), the sense of “meaningfuless” vanishes, and thus we no longer see them as synchronistic. Such cases are often described using the phrase “not a coincidence”.
What is the implication when we say, of a coincidence, that it is “just” a coincidence?
Dreams may be the via regia to the unconscious: Freud said so, and Jung, too, insisted that the analysis of dreams would allow both analyst and analysand to observe what went on with the unconscious psyche (cf. e.g. GW VII §§209-210). Writing forth the metaphor, we might say that, if dreams are the via regia, then synchronicities are a small, winding mountain path which may or may not lead...
Robert Musil was one of the great masters of imaginative metaphor, and he captured very well the notion that much of what drives our psychology is both collective and unconscious — difficult to be aware of from the point of view of individual consciousness: The train of time is a train which rolls out its own tracks ahead of itself. The flow of time is a river which carries its own banks along...
Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology.