Note on bibliography

For the sake of simplicity, I have not included the full apparatus for references, quotes, etc. on this blog. Instead, I go by the following rules:

Quotations are marked by the quoted work as siglum and page number. If the quoted text is a web page, I just link it and assume the quoted passage can then be found by web search. The original texts are frequently in German, which I sometimes translate myself (thus the quote may be slightly different from published English versions of the quoted text).

The sigla are:

GW C. G. Jung, Gesammelte Werke. Stuttgart: Patmos [quoted by volume and paragraph (in some old posts by volume and paragraph number)].
AIK Wolfgang Pauli, “The Influence of Archetypal Ideas on the Scientific Theories of Kepler”. In: Writings on Physics and Philosophy. Charles P. Enz, Karl von Meyenn (eds.). Heidelberg, Berlin: Springer 1994, 219-279.
DU James Hillman, The Dream and the Underworld. NY: HarperCollins 1979.
FA Erving Goffmann, Frame Analysis: An Essay on the Organization of Experience. Boston: Northeastern University Press 1986.


Robert Moore and Douglas Gillette, King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine. NY: HarperCollins 1990.


James Hillman, The Myth of Analysis: Three Essays in Archetypal Psychology. Evanston: Northwestern UP 1992 (orig. 1960).

PJB C. A. Meier (ed.), Wolfgang Pauli und C. G. Jung, Ein Briefwechsel, 1932-1958. Berlin, Heidelberg: Springer 1992.
PJC Harald Atmanspacher, Christopher A. Fuchs (eds.), The Pauli-Jung Conjecture and Its Impact Today. Exeter: Imprint Academic 2014.

James Hillman, Re-Visioning Psychology. New York: Harper 1992 (orig. 1975).

TFS Daniel Kahnemann, Thinking, Fast & Slow. London: Penguin 2011.


James Hillman, Uniform Edition of the Writings of James Hillman. Putnam: Spring Publications [quoted by volume and page number].

ÜS Umberto Eco, “Über Spiegel”. In: Über Spiegel und andere Phänomene. Munich: dtv 1990, 26-61.
WIO David Bohm, Wholeness and the Implicate Order. London, New York: Routledge 1980.

I use quotation marks (either single or double) when I do not employ a term directly, but mention it as a term. If that happens as a quote from another text (i.e. where there is a bibliographical reference), I use double marks, otherwise single marks. Thus:

  • Jung thought that there are psychoid structures.
  • Jung uses the term ‘psychoid’ as an adjective. [He explains why in GW VIII, 203-204.]
  • Jung says that “psychoid processes are not plainly [identical with] the unconscious, which has a wider extension” [GW VIII, 210].

Reviewed and/or occasionally quoted books

G.E.M. Anscombe, Intention. Second Edition. Oxford: Blackwell 1979 (orig. 1963, 1st ed. 1957).

Joseph Cambray, Synchronicity: Nature & Psyche in an Interconnected Universe. College Station: Texas A&M University Press 2009.

Allan Combs and Mark Holland, Synchronicity: Science, Myth, and the Trickster. NY: Marlowe & Co. 1996.

Ioan P. Couliano, Eros and Magic in the Renaissance. Chicago: University of Chicago Press 1984.

Michael Fordham, New Developments in Analytical Psychology. Foreword by C. G. Jung. London: Routledge & Kegan Paul 1957.

Erving Goffman, Forms of Talk. Philadelphia: University of Pennsylvania Press 1981.

Erving Goffman, The Presentation of Self in Everyday Life. New York: Anchor Books 1959.

Simon Goldhill, “The Erotic Experience of Looking: Cultural Conflict and the Gaze in Empire Culture”. In: Martha C. Nussbaum and Juha Sihvola (eds.), The Sleep of Reason: Erotic Experience and Sexual Ethics in Ancient Greece and Rome. Chicago: University of Chicago Press 2002, 374-399.

John R. Haule, Divine Madness: Archetypes of Romantic Love. Revised Edition. Sheridan: Fisher King Press 2010.

James Hillman, Anima: an anatomy of a personified notion. Putnam: Spring 1985.

Aniela Jaffé, Geistererscheinungen und Vorzeichen: eine psychologische Deutung. Einsiedeln: Daimon 2008.

John of the Cross, The Collected Works of St. John of the Cross. Third edition. Washington, D.C.: ICS Publications 1991.

Carl Gustav Jung. Memories, Dreams, Reflections. Recorded and edited by Aniela Jaffé. Revised edition. NY: Random House 1989.

Thomas S. Kuhn, The Structure of Scientific Revolutions. 2nd ed. (with a new postscript). Chicago: University of Chicago Press 1970.

Seymour H. Mauskopf, Michael R. McVaugh, “The Controversy Over Statistics in Parapsychology 1934–1938”. In: Seymour H. Mauskopf (ed.), The Reception Of Unconventional Science. London, NY: Routledge Taylor & Francis (2019, orig. 1979), 105-124.

Gershom Scholem, Major Trends in Jewish Mysticism. NY: Schocken 1995 (orig. 1946).

Peter F. Strawson, The Bounds of Sense: An Essay on Kant’s Critique of Pure Reason. London, New York: Routledge 1995 (orig. 1966).

Murray Stein, In Midlife: A Jungian Perspective. Asheville: Chiron 2014 (orig. 1983).

Tim Wu, The Attention Merchants: The Epic Scramble to Get Inside Our Heads. New York: Vintage Books 2017.


Lawrence Durrell, The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea. London: faber & faber 2012 (orig. 1962).

John Fowles, The Magus. A Revised Version. New York: Dell Publishing 1985.

Neil Gaiman, “An Introduction”. In: Smoke & Mirrors: Short Fictions and Illusions. London: headline 2013 (1999), 3-33.

Sadegh Hedayat, The Blind Owl. Transl. by Naveed Noori. Ballingslöv: l’Aleph 2011.

E.T.A. Hoffmann, “Abenteuer in der Silvesternacht”. In: Sämtliche Werke III. Essen: Phaidon, 124-149.

Robert Musil, Der Mann ohne Eigenschaften I. Reinbek: Rowohlt 1978.

Howard Schwartz, Lilith’s Cave: Jewish Tales of the Supernatural. Oxford: Oxford University Press 1988.

Oscar Wilde, “The Picture of Dorian Gray”, in: The Complete Works of Oscar Wilde, London: Harper Collins (2003), 17-159.

Leif Frenzel is a writer and independent researcher. He has a background in philosophy, literature, music, and information technology. His recent interest is Jungian psychology, especially synchronicities and the relationship between consciousness and the unconscious.

absurdity alchemy allegorical style archetypes causality climates dark side death eros erotetic arch fairytale style film frame analysis ghost story style impressionist style intertextuality Jung philology liminality literature magic methodology mirrors mystery mysticism myth adaptation style narrative analysis pathologizing persona personal note personification prefiguration projection psychoid research program romantic love self-knowledge shadow soul spirit subjectivity symbolistic style symbols synchronicities technology time